Extending a piece of audio or video and have it push everything else back instead of sliding underneath.īut they sound worse than they are - at least once you're used to it (the first few times it happens you'll curse a bit). Having clips 'attach' to others so that if you delete one, it might delete 5 others that are attached to it. The magnetic timeline quirks are what make it very different to others.
Accurate and reliable conversion features. Supports converting videos to all the video formats. Zero quality loss and compatibility with other Adobe products. Powerful encoding features with a bundle of codecs. A complete solution for converting videos. You just need to get your head around the way the timeline works. Features of Adobe Media Encoder CC 2018 v12.1 for Mac. I find fine-cutting and doing fine adjustments after your assembly more difficult. That said, the newest version does a lot to help this. The iMovie style scrubbing of source clips makes it very easy to quickly look at what you have and grab what you need.īeing able to work with your footage while it's still transcoding, or exporting a master file whilst you move onto another edit, or start your cutdown options is incredibly efficient. Given how powerful FCPX is and its ability to do tasks in the background, I find it's very quick to get an assembly together. If you cant move to the lastest OS and CC2018 application version, recovering your CC2017 application including Dolby functionality is another potential path. Recover your CC2017 versions that included Dolby. Getting used to FCPX's idea of what a 'storyline' is. Rename the files and reimport them into Premiere Pro. Magnetic timeline and arbitrary tracks are just an entirely different way of working.
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